1. 1. Providence, Eros, and Constraint - De Gruyter
Providence, Eros, and Constraint. From the book In the Image of Origen. David Satran. David Satran. Search for this author in: De Gruyter | Google Scholar.
1. Providence, Eros, and Constraint was published in In the Image of Origen on page 29.
2. View of Divine Eros and Divine Providence in Proclus' Educational ...
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← Return to Article Details Divine Eros and Divine Providence in Proclus’ Educational System
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5. Oil flask (lekythos) with Eros playing double flute - MFA Collections Search
Oil flask (lekythos) with Eros playing double flute, the Providence Painter, Greek, Early Classical Period 470–460 BC.
Eros, a winged youth, flying, profile to right, playing the double flutes.
6. Divine Eros and Divine Providence in Proclus' Educational System
24 jan 2014 · License. Peitho provides immediate open access to its content on the principle that making research freely available to the public supports a ...
This study examines the way in which the Neoplatonic philosopher Proclus treats an episode of the dialectic communication between Socrates and Alcibiades in the Platonic dialogue Alcibiades I. More specifically, it refers to how the characteristics and the choices of two different types of lovers – the divinely inspired one and the vulgar one – are displayed in the aforementioned text. The characterization ‘divinely inspired lover’ befits a person who communicates in a pure way with his beloved one and attempts to teach the latter the objective values of the intellect. By contrast, the characterization of the ‘vulgar lover’ befits that individual that approaches another individual exclusively on the basis of his external beauty. The first type of lover is presented within the realms of the permanently qualitative, while the second as someone who satisfies solemnly his subjectivity and his instincts. Furthermore, it is interesting to note that Proclus argues that Socrates, whom he considers to represent the very definition of a divinely inspired lover, is inspired by divine powers and attempts to act towards to his fellows – in this instance to Alcibiades – in the way through which the divine providence is revealed.
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9. Considering Divine Providence in Mullā Ṣadrā Šīrāzī (d. 1045/1636)
18 nov 2021 · 1045/1636): The Problem of Evil, Theodicy, and the Divine Eros. In: Oriens. Author: Sajjad Rizvi.
Abstract Despite the extensive work on the Safavid thinker Mullā Ṣadrā Šīrāzī (d. 1045/1636) nowadays in metropolitan academia, certain areas of philosophical and theological concern remain understudied, if studied at all – and even then, there is little attempt to consider his work in the light of philosophical analysis. We know of a venerable philosophical tradition of analysing the question of providence as a means for examining questions of creation (ex nihilo or otherwise), the problem of evil, determinism and free will, and the larger question of theodicy (and whether this world that we inhabit is indeed the ‘best of all possible worlds’). I propose to examine these questions through an analysis of a section of the theology in al-Asfār al-arbaʿa (The Four Journeys) of Mullā Ṣadrā (mawqif VIII of safar III) and juxtapose it with passages from his other works, all the while contextualising it within the longer Neoplatonic tradition of providence and evil. The section of the Asfār plays a pivotal role in outlining a wider theory of divine providence: following the analysis of the Avicennian proof for the existence of God as the Necessary Being and her attributes, and before the culmination on the emanative scheme of creation (or the incipience of the cosmos – ḥudūṯ al-ʿālam), Mullā Ṣadrā discusses the question of divine providence where one can clearly discern the influence of previous thinkers on him, namely Avicenna (d. 428/1037, al-Šifāʾ and Risālat al-ʿišq) al-Ġazālī (...
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